It was 1961, and Dylan played at the “CafĂ© Wha?” In Greenwich Village. My sister and her girlfriend were going to be at the Wha? to read some poetry they had written. We were less than half an hour away and Brian and I would check the Village out every once in a while. Knowing my sister would be at the Wha?, we checked it out. It was a coffee house and did not serve alcohol. My sister and her friend didn’t read their poetry yet and there was a performance going on; a guitar was probably part of what was going on. It was a while ago. Was Dylan there? Could have been but I don’t know and it would have been meaningless to me anyway. Like others he was just an unknown guy looking to play gigs. (I was in Asheville recently and that city really did remind me of the Village the way it was back then.) The Wha? Wasn’t the biggest place in the world-kind of small. This was not a doo wop environment which was my comfort zone. Interest in the Wha? I would guess was a bit of east coast wonderment at the west coast beatnik and flower power cultures. Some people couldn’t quite nail it down-that is, just what was going on then. I was one of those. I think it was rear view mirror kind of thing. It went by and only when you looked back did you realize what it was. Today I can listen to Dylan and enjoy him because I’ve learned to pay more attention to the lyrics. You can hear Dylan sing Boots and think of someone in Iraq.
Husbands and wives, sons and daughters, mothers and fathers, all of you, full of life and joy and wanting elusive and changing morrows, oh that your loved ones were present birds such as Romeo wished he were and that they had never left home. Distant changing morrows yield too frequent tears. Tears….
Forfend they come through Dover. Some come home early may pass through this place, unseen coffins en masse (no photographs said the Decider) of the debacle far away, the crime thus far of this young century. Those brave young lovers who pass through Dover, unable anymore to love in life, unable to share a sweet morrow with a lover, will always be in the hearts of their lovers and loved ones. And too there will be those tears -tears heartbreaking, gut wrenching, and inadequate. “Everybody Loves a Lover” sang Peggy Lee. And do we do. And we too cry.
Frank Sinatra sang a song about young lovers but not written in the context of war. Rodgers and Hammerstein captured a sense joy about young lovers and we might think of it as we think of our loved ones in Iraq. Sinatra expresses empathy and compassion. Change a word or phrase if you want (I will later) but the original lyrics convey to me this sense of caring and concern. I heard it the other night and thought immediately of our brave young in Iraq. Sometimes a melody or lyrics will take you to a place not intended by the singer or lyricist. Too, I thought of an earlier war and how it resolved with many dead loved ones-many dead lovers forever lost to their loves. He begins:
Hello young lovers whoever you are/I hope your troubles are few/All my good wishes go with you tonight/I’ve been in love like you
Be brave young lovers and follow your star/Be brave and faithful and true/Cling close to each other tonight/I’ve been in love like you
Not too many years later, Muhammad Ali, who by self- proclamation was known as “The Greatest”, wrote poetry:
Clean out my cell
And take my tail to jail
‘cause better to be in jail fed
Than in Vietnam, dead
It too was an unpopular war. The draft was in effect. He went to jail for a while and he lost his right to fight-for a while. And so wars go on and lovers are separated-for a while.
America grieves for sons and daughters lost in war regardless of the war’s cause or purpose. Comments on the debacle in Iraq require sensitivity to those who believe that lives lost are lives that were lost because of a justified war. To question the necessity of the war could be considered as saying the lives lost were wasted. Borrowing from Hammerstein America plaintively speaks:
Hello young lovers wherever you are.
I hope your troubles are few.
All my good wishes
Go with you tonight
I’ve been in a war before
Be brave young lovers and follow your star
Be brave and faithful and true
Cling close to each other tonight
I’ve been in a war like you
The portrait in the attic is true to Mitt's bare soul,
and it's really quite dramatic to see this hidden toll.
Some blues have turned to red,
and his head's a bit awry.
An eye has gone to bed,
and an ear is on his tie.
As oils run in that dark place,
on a portrait kept at bay.
Romney runs a heated race,
a race to lose on a clear bright day.
(Regards to Oscar Wilde, author of "The Picture of Dorian Grey")
McCain could use a Vice President with financial smarts who might help him fix the economy that the Bush administration has trashed. Romney is one of those guys who doesn't care much for the working man or woman. He is totally focused on business. There seems to be a a certain meanness about him. Something about this guy. Last time he rang my bell was a crack he made about unions.
It's easy to think of Romney as the official in charge of the execution of Eddie Slovik in WWII. I see him stopping the order to shoot because he hears Slovik praying. He runs up to Slovik and rips the beads from his hands and he is so agitated that he right then gives the order to shoot.